Perceiving takes place when stimuli activate the sense organs. But at that point the perceptual story is not nearly complete. When we ask about the nature of what is perceived, we observe at the very outset the distinguishing feature of organization. The sensory information from the eyes, ears, nose, and skin is arranged in an orderly and meaningful manner. The problem of perception is also semantic in nature; even simple words become invoh'ed. A color may be "blue" in English,and "bleu" in French, but it is just another shade of what we call "gray" to the color-blind person.
Figure and Ground
One of the 'post elemental organiling principles in perception is the tendency to pattern stimuli in terms of a figure-ground relationship. Not all parts of a stimulating situation reach one's awareness with equal clarity. That which we focus on at any given moment with any of the sense organs is the figure. That which is experienced at the same time but is out of focus is known as the ground. At this very moment your perceptions are organized in terms of figure and ground as you read this page. The printed words represent figure and the white spaces are ground. In every perceptual act the figure-ground principles is operating when a selected part of the stimulating situation is perceived as standing out from the background: roses stand out against the green leaves of the bush, peach blossoms against the eaves and branches of the tree, mountains stand out against the sky, soloists against the background of the chorus, the melody lines of a trumpet against a background of harmonies. The factors that determain what will be figure appear to be distinctiveness of shape and contour, familiarity, novelty, grouping, and meaningfulness. In short, the things that make "sense" and are important to the perceiver stand out as figure, and the unimportant and less meaningful things form ::he ground.
Camouflage
Sometimes we want to make a deliberate confusion of figure and ground. The aim of camouflaging is to destroy the enemy's perception of the figure.to conceal things that are familiar, meaningful, and rmportanL Thus sharp contours v,hich make an airplane hangar stand out as figure .are removed by the use of roof netting; a soldier's uniform is made to blend with the jungle; a field gun located on the edge of the jungle is painted to resemble trees. In the protective coloration of birds, animals, and insects, we see many examples of camouflage in nature.
Similarity
The organized nature of perception is strikingly apparent when we notice that we tend to group stimuli in certain ways. According to one grouping principle, stimuli that are more similar to one another will have a greater tendency to be grouped. Similarity may, of course. manifest itself through a variety of characteristics shape, size, color, expression, or any other distinguishable property of he stimulus. And the similarity must always be "seen" in a psychogical sense, i.e., as perceived by the observer. To you, the similarity between a kangaroo and an opossum may simply be that both are animals; to a zoologist the similarity may be that both are marsupials.
Proximity
Another grouping principle has to do with how near in time or space stimuli are to each other. Stimuli that are in closer proximity have a. greater tendency to be grouped. Grouping on the basis of nearness in time is apparent when, in a series of light flashes, the flashes occurring close together in time tend to b grouped.
Togetherness of Stimuli
Stimuli are also organized according to the continuity principles which states that there is a tendency for elements to go with other as to permit the continuation of a line, curve, or movement in the direction already established. Because of the continuity principle, two crossing lines are perceived as two crossing lines instead of as four times. The tops of the buildings in New York are perceived as a skyline, instead of as isolated units, because of the continuity principle.
Desire for Completion
A final grouping principle that shapes one's perceptions is called closure. The closure tendency operates in other sensory areas, too. In hearing, for example, there is a strong tendency to bring about closure by completing the rhythm.
You now see not only that perception is a process of stimulating the senses, but also that the messages from the sense organs are arranged or ordered so that the world as we come to know it is organized. But there is more to perception. Still to be reckoned with are a variety of personal factors such as prior experience, mental sets, needs, and emotion, and the ways in which they influence one's perception of the world.
Perceiving Things Differently
The apparent size of people can be influenced by placing them in rooms of distorted shape. They appear to be of three different heights.
Perception is certainly not a simple process. We see things in relation to our own needs, past experience, and feelings. In one experiment, a woman observed in a window the face of her husband to whom she had been married for twenty-five years. When compared with the face of another man in a nearby window, her husband's face seemed to her to remain unchanged as he moved around. The other man appeared to grow or shrink as he moved to and fro.
Suspecting that there might ue some special emotional relationship between this woman and her husband, the investigator repeated this experiment with other married couples. A stranger acted as the control in each experiment.
Most of the individuals saw their partner grow and shrink in the usual manner, and to the same apparent degree as the control stranger. However, six viewers reported that their partners altered less than the stranger or did not change at all. These couples turn out to be only recently married.
In another study, involving the use of distorted lenses, some interesting observations were made. When an enlisted man looked through the lenses, his immediate superior, an officer, appeared I distorted than enlisted men in the room. Later twenty-four navy recruits viewed two different men through the lenses. One man wo the insignia of the recruits' immediate petty-officer superiors. The other man wore the insigl,ia and canvas leggings of a recruit. Th results showed that twenty-two of the twenty-four subjects requ.ired lenses of higher distortion power to perceive the "officer" as dis· torted. Measurements showed that the increase in lens power averaged about 50 percent.
. Is some emotional anxiety involved in these phenomena? Is some feeling of identification playing a part? We do not have good answers to these types of questions. Even children who view them-el\'es in a mirror through distorted lenses report different kinds of .::astartian at different ages. Girls, who are typically more anxious about their appearance than boys, consistently report less distortion than boys of the same age. Both children and adults report that their
wn mirror image is distorted in different ways from that of another person. One's own image changes mainly in detail. The other person's image appears to change in overall size and shape.
There is little doubt that in daily living we perceive the same :bings in different ways, and at different times. Some people characteristically view their world for only a moment in time; other people relate to the past. Perhaps one student put a great deal of understandIng in this statement, "When I was nineteen my dad didn't know anything. When I was twenty-one I was surprised to see how much he had learned in two years."